Wednesday 17 January 2007

Recipe for The Muse

All writers and artists think that they are the only one who struggles with their muse. In the case of writers, they see the finished book of a published writer and compare that to their own work-in-progress. They don't get to see the early drafts of that book; if they did, they would sometimes barely recognise it as the same work. Only the published writer of any particular book knows how many drafts, how many long hours were spent bringing it up to publication standard. We've all heard of an 'overnight sensation' who points out that it didn't happen overnight at all, that they had been there all along, polishing their craft so it gleamed amongst all the other struggling artists, until they were finally 'noticed'. It's the noticing that seems to happen 'overnight' not the polished performance, or book, or work of art.

A word of warning here: do not show your early drafts to family. If they love you, of course they are going to think it is wonderful. Generally, friends don't work either, so unless you know someone whose opinion you truly value, don't show it to friends either. Until your work is in book form you should not be seeking readers who will only offer you approval. When you are getting to final draft stage, and you need constructive criticism, you need other writers. At the beginning of your writing career, a writers circle or club is ideal. My post tomorrow will talk about these, and other options.

Forget about other writers and their muse and concentrate on the job at hand, the draft of the manuscript you are working on right now. In my opinion, muse is just a term that covers many aspects of writing. Here's my recipe for you to create your own muse (the proportions are my own; yours may be different. Experiment until you have it right.):

Creating a Muse

10% determination
10% commitment
1% inspiration
1% motivation

Add to the above - 78% perspiration and a sprinkling of passion

Use this mix on a regular basis, daily or weekly, whatever suits your program. Applying it in the same location each time will help your muse rise to the occasion.

As you progress, you will discover that you need less of one component and more of another. Everyone's muse is different; you just need to experiment to find your perfect mix. It's natural to feel insecure about your work, everyone does and just knowing this helps me over those days when my muse mix is a little off. I just adjust it and move on.

As you write, remember that nothing worthy of creation happens overnight.

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